Blue Microphones has announced the latest additions to their award-winning line of products; the BottleRocket Stage One Solid-State Microphone System and the Bottle Rocket Stage Two Tube Microphone System.
The Stage One BottleRocket is a transformerless solid state microphone system with the clarity and detail you've come to expect from Blue. Fully compatible with the Bottle Caps, the same interchangeable capsule system used with Blue's Bottle mic, you can add an array of tonal characteristics and pickup patterns on the fly. It's like having an entire mic cabinet in one mic.
Stage One Features :
- Class A discrete solid-state amplifier circuit delivers superb detail
- Includes Blue's versatile B8 capsule & shockmount
- Hand-tuned and tested
- Mic System allows for different ca ...
Chandler Limited has announced the release of a brand new unit : the Universal Mix Control (UMC).
Inspired by the popular Wet/Dry feature used on their Germanium Compressor, each channel of the UMC can function as either a Wet/Dry control or as a 2 x 1 summing mixer for those needing a high quality solution for combining multi mic'ed sources. Simply put, you can now add Wet/Dry to anything you want. Ever wanted some Dry signal on your EMI Limiter, 1176, Alan Smart, LA2s, 33609? How about a Fairchild 670 with a Mix Control :-)
Don't stop with just compressors. Distortion with a Culture Vulture or Sans Amp, Transient Designer, Leslie Cabinet, Guitar Pedals. The list is nearly endless. No latency, saves channels, little patching, and a very high quality, transformer balanced, low noise discrete circuit that allows you to use it anywhere without concern.
The Universal Mix Control is available now for a fee of $1450.
Universal Audio has announced the shipment of the LA-610 Mk II Classic Tube Recording Channel, a feature enhanced, 2nd generation version of UA's most popular analog product.
The preamp and compressor use the same signal path as the original LA-610 and features the 610 mic-pre and EQ section combined with an LA-2A style T4 opto-compressor. The LA-610 Mk II now offers key enhancements such as: true compressor bypass, larger metering, improved output signal performance, and the highly popular "black on black" cosmetics of the LA-610 Signature Edition.
The LA-610 Mk II will have an MSRP of US$1999 and a MAP of US$1599.
Focal Professional has announced that their new CMS Active Nearfield Monitors - the CMS 65 and CMS 50 - are now shipping.
According to Focal, their Al/Mg (Aluminium/Magnesium) inverted dome tweeter combines both, lightweight mass and damping, resulting in a tweeter that easily extends up to 28khz at -3db.
They also tell us that the Polyglass bass driver combines hollow micro-balls of glass to a pulp cellulose cone thus permitting a good rigidity versus mass ratio.
They are bi-amplified active nearfield monitors, 165 watts for the CMS65 and 130 watts for the CMS50.
Both of them also have separate HF and LF shelving adjustments, a Desktop Notch correction filter that controls first reflection when the speakers are located over the mixing board, rubber decoupling stand, spikes to tilt the speakers and adjust soundstage height.
In an effort to help their customers continue to create, record and produce music during these tough economic times, PreSonus tell us that they are offering a new Audio Stimulus Package from now through the end of the year in the form of two rebates :
1. Buy a FireStudio, FireStudio Tube, FireStudio Lightpipe or FireStudio Project and get a FREE FaderPort (a $249 value)
2. Buy a DigiMax D8, DigiMax LT, DigiMax FS and DigiMax 96k and get a FREE HP4 headphone amplifier (a $159 value)
Here's a new ProTools Corner issue by our VIP Moderator Brian White from audioMIDI.com. This time he focuses on the brand new version of Auto-Tune, the famous pitch correcting plug-in from Antares.
"Love it or hate it, vocal tuning or "pitch correction" is a technology that is here to say. And whether or not you feel it is "morally" correct/in-correct to artificially tune vocals and other instruments, it is hard to deny the dramatic influence pitch correction has had on pop music over the last decade. As a long time front-runner in pitch correction technology for Pro Tools, Antares has definitely staked th ...
This year's AES show in San Francisco sees the launch of Focusrite's new multi-channel firewire audio interface, the Saffire PRO 40.
Features :
- Eight High Quality Focusrite Pre-amps
- High Quality 24-bit/96kHz Firewire Interface
- High Quality A-D / D-A Conversion and JetPLL jitter elimination technology
- Total I/O Count of 20 Inputs and 20 Outputs
- Unique Loop-Back facility for routing audio between software applications via Saffire PRO 40 Control.
- Suite of Focusrite VST/AU plug-ins (Compression, Reverb, Gating and EQ VST/AU plug-ins).
- Two separate headphone buses with independent level control available on the front panel.
- Saffire Pro 40 Control Zero-latency DSP Mixer/Router (18 x 16 DSP mixer).
- Unmatched routing flexibility. The user is able to route any input signal or DAW output, or a mix of both, to any of the 20 outputs.
Saffire Pro 40 will be shipping worldwide, October 2008. For pricing details, please contact your local Focusrite distributor.
Computers need to blow off steam in order to continue to function correctly, but this cathartic action results in lots of noise, fan noise in particular for computers. The Machine Room silences your computer while still allowing for proper convection cooling. Cool air intake at the bottom of the chamber allows heated air to rise to the top, where it is forced out by a variable-speed fan. That fan is sound-abated by a foam-lined manifold, and positioned at the rear of the enclosure for near silent operation.
The Machine Room is designed specifically to fit a Mac Pro Tower, but will fit anything smaller than 30" high, 16" wide and 24" deep. The Machine Room is available at a retail price of $650.
Analogue Tube unveils the AT-101, a faithful recreation of the original Fairchild 670 stereo limiter.
The AT-101 is built using traditional point-to-point wiring methods and standard turret component mounts. The audio path and power supply are completely free from any printed circuit boards. The AT-101 like the original Fairchild 670 has been assembled completely by hand and uses high quality modern components. The tube complement is exactly the same, using a new generation 6386 remote cut-off triode developed to replace the original 50 year old tube types many of which were used in the Fairchild 670.
Whilst most of the AT-101 is the same as the original there have been a few minor changes to the front panel and electronics, the Lateral/Vertical switch has been replaced with a Stereo Link switch, and a power supply alteration made allowing controlled heater voltage switch-on to help maintain the life of critical tubes on power up. A simple electronic traffic light system monitoring temperature has been added.
The AT-101 is available for £11,500 ex VAT ( $20350 / €14700 approx.). All production models come with a choice of front panel colours finished in enamel. Each unit is shipped with a fully protective foamed-out Peli road case with wheels as standard. There is a 6 week lead time.
Arturia has finally announced that their long-awaited first hardware synthesizer, the Origin, is now shipping.
"We are extremely proud to be shipping Origin", says Frédéric Brun, President of Arturia. "The project has taken much longer than we initially thought and, since we had announced the product early, Origin has been eagerly awaited by the market. In the end, taking more time has proven necessary to foster quality and details."
Origin is available now at a retail price of $3200 / €2490.
This year's AES show in San Francisco sees the launch of Focusrite's latest addition to their Liquid range. Liquid Mix HD delivers the power of Liquid Mix exclusively to the Pro Tools HD market.
Providing the same pool of classic EQ and Compressor emulations, Liquid Mix HD combines the sound of priceless and historically significant compressors and EQs with all the benefits of operating directly inside the Pro Tools HD environment. Over 60 instances can be used simultaneously on an HD 3 system, and thanks to Pro Tools HD's low latency environment, they can be used for both recording and mixing.
Liquid Mix HD will be shipping worldwide from October 2008. For pricing details, please contact your local Focusrite distributor.
Digidesign today announced Pro Tools 8. In their own words :
" Meet the new Pro Tools® 8 — the most advanced audio creation and production software, featuring a gorgeous new interface; dozens of new plug-ins; five new virtual instruments; exciting new scoring, MIDI, editing, and mixing capabilities; deeper controller integration; improved ease of installation and use; and enhanced performance. With Pro Tools 8, you get the most comprehensive music and sound creation features and functionality, and the proven, dedicated platform for world-class audio production — all in a single application. Pro Tools 8 is coming soon for Pro Tools|HD®, Pro Tools LE®, and Pro Tools M-Powered systems, so get ready — you'll never work with audio the same way again.
Telefunken USA have relaunched the U48 large-diaphragm tube microphone, over 50 years after it was first introduced by the original company. The U48 is almost identical to the legendary U47, the only difference being in the choice of polar patterns on offer: the U47 operates in cardioid and omni modes, while the U48 has cardioid and figure-of-eight patterns.
Like their U47, Telefunken USA's U48 ships in a smart briefcase, which safely houses the bulky power supply, a shockmount and the cable.
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